Seven Things You Can Never Say In Politics

(In Memory of George Carlin, Requiescat In Pace)

When George Carlin died last year, I was deeply saddened.  He was one of the Great Comedians I had listened to from my childhood onward.  Indeed, I do not recall not knowing about Carlin, in the same way I do not recall not knowing how to read.

Anyway, the many obituaries and tributes that poured in paid homage to Carlin’s considerable talents, including his genius for skewering the human condition.  And, of course, they all mentioned his legendary “Seven Dirty Words.”  For a Black Baptist growing up in rural North Carolina, hearing these words was like discovering a lewd and truncated mirror image of the Ten Commandments.  (I should point out that my extremely devout grandparents, who would have cringed at Carlin’s unabashed use of the “Seven Dirty Words,” nevertheless allowed me to listen endlessly to Redd Foxx’s incredibly raunchy comedy records–on Sunday, at that.  Perhaps it had something to do with the way Black people tell stories.  Hmmm.  Methinks I have the subject for another post….)

Anyway, for some reason I felt inspired to write a little list of my own.  I have no idea why I chose politics as my canvas.  Perhaps the ghosts of Governor Eliot Spitzer’s recent resignation or the Monica Lewinsky scandal were clanging around in my head.  Who knows?  I humbly submit my “Seven Things You Can Never Say in Politics”:

  1. “I will never raise your taxes.”
  2. “Go ahead and follow me.  I have nothing to hide.”
  3. “S/he was just a staffer.  I never knew her/him personally.”
  4. “I welcome the opportunity to take my case before the American people.”
  5. “I never accepted gifts of any kind from that individual.”
  6. “I pledge to serve my full term.”
  7. “I am looking forward to spending more time with my family.”

Looking again at my list, I no longer find it as amusing as I did when I created over a year ago.  I guess you had to be there. 

Do not worry, Mr. Carlin, wherever you are.  I have no plans to give up my day job and try to do what you made look so easy for so many years.  You, Sir, were the Michelangelo of Mirth. 

[Expletive deleted.]

Let’s Do It!

“Birds do it.  Bees do it….Probably we’ll live to see machines do it.”  Cole Porter wrote his classic toe-tapper “Let’s Do It (Let’s Fall in Love)” in 1928, decades before the first computer and the birth of what we now call AI (Artificial Intelligence, not the basketball star Allen Iverson).  Yet he somehow foresaw a time when machines would not only think like human beings; they would also fall in love and—presumably—have sex like humans as well.  That makes me wonder if Porter, another proud Yale Man like yours truly, was a visionary like the British mathematician and computer science founder Alan Turing—or just a pervert ahead of his time.  Or maybe he was just after a clever song lyric—of which he was an absolute master.

Anyway, suppose that we do someday create machines that can fall in love with each other and quite “naturally” desire some type of “physical intimacy.”  What would that look like?  Would computers overload their servers with streams of erotic (to them, at least) code?  Would there be such a thing as computer porn?  Would humans pay to see it?  (Of course we would.)  Would global networks crash as the supercomputers that control every aspect of our modern, continually-connected lives spend all of their time generating real cyber-porn instead of working?  Would computers want to marry and reproduce?  Would computers be a single gender or some new binary conception of heterosexuality?  Or would they cast off the concept of gender entirely?  Would some computers be homosexual?  Would same-sex relationships between computers be allowed?

Cole Porter and his wonderful little tune really open up a can of worms for us.  How are we going to deal with the coming onslaught of super-intelligent, love-struck, and horny machines who want equal rights—and can freeze our bank accounts and shut down the Internet?

Literature and popular culture are awash with works that examine the uneasy relationship between people and machines that see themselves as something more than their human creators had intended.  Two favorite examples come immediately to mind.  In his classic 1968 novel, Do Androids Dream of Electric Sheep?, Philip K. Dick explores the meaning of humanity and the moral consequences of ridding society of synthetic beings (androids) who appear human in every meaningful respect.  At the other extreme, The Terminator franchise imagines a world in which sentient machines decide to exterminate humanity.  Between these two poles of annihilation fraught with moral ambiguity, Cole Porter’s quaint notion of machines falling in love sounds, well, de-lovely.